A podcast about what makes the best experiences in gaming. Along with a few friends, we explore the past and present, to appreciate the craft and joy of gaming…when I have time.
Final Fantasy is so apart of the cultural zeitgeist that it can be hard to talk about it with fresh appreciation. Danh and I come from slightly different experiences with the Final Fantasy VII, but our reactions are nearly the same to this revision. There are changes from the source story that aren’t insignificant. For every element in the game that received a visual or audio upgrade, there seemed to be a corresponding extension or game-play addition.
It’s been some 20 some years since I played the original Final Fantasy VII. So many of the memories and emotions I felt while playing the “Remake,” were different for Danh as he was just getting into the original on Nintendo Switch. One really interesting thing about the Switch edition is the ability to play in “God Mode,” which allows you to play the through battles and the story without the need to level.
Square Enix has delivered a truly eye-ball achingly good looking game. There seems to be an enthusiasm to make something familiar and yet somehow new. The sound track is also second to none. And at this moment is most financially accessible on the Google Play Store.
Howdy friends, this is Zach, with a Single Player episode in which talk about my 10 glorious hours with the zipline, sandbox, explosion factory Just Cause 3. So let’s take a second to appreciate Rico Rodriguez’s talents as a wire-fu demo man of the people.
Avalanche Studios has been making Just Cause games since 2002, but JC3 I think marked a crucial turning point in the serie’s cycle where a form of stunting became the primary goal of the mechanics presented to you for getting around the islands of Medici.
Sandbox and or Open World games have, what I like to think of as, gift wrapping mechanics. They But unlike many games where you have to wait for story beats to have access to the full range of traversal tools that are available, Just Cause 3 suits you up right away. The only thing the game does, in terms of upgrades, is amplify the already absurd level of versatility that your movement possesses.
JC3 wants you to get into the action immediately. In fact it seemed like every story mission was just a whip lashing me to blow up more stuff. I’m surprised they hadn’t added a DMC style grading system to rank your destruction style. Oh wait, they did think of that. Destruction challenge modes let you revisit demolished enemy strongholds and start a fireworks show that ties time and destruction into a scoring system. Seeing how I ranked against my other destruct-ologists was fun and leads players to experiment with the options without the reprisal of enemy troops.
JC3 is only the second title in the series I have played, however, for 10 golden hours I was totally hooked. This game is a rollercoaster conducted by Michael Bay’s dreams. Even the driving outperformed my expectations, a feature that frequently slips past the hardworking teams of code machines spinning magic out of thin air.
Sadly this is the part of the review where I need to explain why there wasn’t an hour 11 or further. Avalanche made a truly entertaining and hilarious game. Unwrapping the carefully folded paper and peeling back the tape on this gift of a game was amazing.
The wind got pulled out of my sails around the chapter titled A Terrible Reaction started and the plot jumped into the driver’s seat. And to be fair, Just Cause games are not about the plot. The plot isn’t good or bad, it simply exists to tie things together and give you context for blowing things up.
Just Cause allows for ample amounts of freedom and creative problem solving, but this level asks you to be stealthy while you blow things up, and while I am not against stealth in games, it really doesn’t make any sense in a game where one of the primary movement mechanics is used offensively ( eg zip-lining into an enemy ). I honestly could have done without the interruptions and exposition about what this paper thin dictator was trying to pin on our heroes. Just let me get back to destroying bases ala your favorite 80’s era G.I. JOE.
One way I would have solved this, would have been to create a popularity meter. Rico can cause destruction, and if he blows up civilians his popularity plummets and the regime rises, however, as he destroys the dictator strongholds his renowned grows. And you could tie that into NPC aggression, so in less pro-Rico areas he gets the cops called on him more often for being a disturber of the peace.
At the end of my time, I really enjoyed JC3, for what I played of it.
What rocks
Rico’s voice work was fun but he could have delivered even more 90’s era action quips.
The visuals are dialed in in such a way that I never felt lost navigating Rico or knowing the direction of incoming fire.
All the vehicles are intuitive, easy to learn, and met my expectations.
The enemy NPCs are appropriately bad at catching Rico, but on the hard difficulty they become excellent marksman which makes movement even more essential to survival.
The XTREME sports angle adds something fun to the traversal of Medici that really doesn’t exist in any other titles.
Story beats, other characters are all completely boring and border on annoying.
Most of the guns feel the same-y, the weapons either have exploding rounds or they don’t.
Forced “sneaking”
Based on my notes, the game earns a solid 1 out of 3 stars. If you are looking for a fun but shallow distraction and you see it on sale, pick it up. It is easily the best action movie you will play. But if you want to be “invested” in a title for longer than that you may want to look to a different sandbox.
So what do you think? Are you into the Just Cause series? Have I got it all wrong? Have I got it all right? Let me know but hitting me up on Twitter or sending an email to howdy@betweenplayers.com
